March worked as a screenwriter in Hollywood until 1940, under contract to MGM and Paramount and later as a freelancer for Republic Pictures and other studios he wrote at least 19 produced scripts in his Hollywood career. March stayed with Hughes' Caddo Pictures studio for several years, temporarily running the office, overseeing the release of Hell's Angels, and getting into legal trouble after an attempt to steal the script for rival Warner Bros.' own flying picture Dawn Patrol. In 1929, March moved to Hollywood to provide additional dialogue for the film Journey's End and, more famously, to turn the silent version of Howard Hughes' classic Hell's Angels into a talkie - a rewrite that brought the phrase 'Excuse me while I put on something more comfortable' into the American lexicon. Later in 1928, March followed up The Wild Party's success with The Set-Up, a poem of a skilled black boxer who had just been released from prison. Once published, however, the poem was a great success despite being banned in Boston. Due to its risqué content, this violent story of a vaudeville dancer who throws a booze and sex-filled party could not find a publisher until 1928. After leaving the magazine, March wrote the first of his two important long Jazz Age narrative poems, The Wild Party. After serving in World War I and graduating from Amherst College (where he was a protégé of Robert Frost), March worked as managing editor for The New Yorker in 1925, and helped create the magazine's 'Talk of the Town' front section.

The wild party spiegelman